If you’ve ever wanted to buy a beautiful, eco-friendly house for just £25, this is an opportunity you are not going to want to pass up!
Timothy & Zoe Bawtree, whose semi-underground house in Cheltenham featured on Grand Designs in January this year, have decided that the best way for them to sell their house is to raffle it off, selling 46,000 tickets at £25 each. If you do the maths, you’ll realise that’s a cool £1m – of which 10% goes to a cancer charity – and which includes all the stamp duty and conveyancing costs.
The house itself has been valued at £895k and the winner will get not just the house, but all the furnishings and mod cons too! All the Bawtrees are taking are their personal effects, garden pots and furniture, and their kitchenware.
Being mainly underground, the house is very low-energy. As they say on their website:
As well as being fully insulated, it is heated by a ground source heat pump making it both economical to run and low maintenance. The house boasts what is one of the best HIPs ratings for energy efficiency in the town – famed worldwide for its architecture.
The house includes:
* 3 bedrooms (master with en-suite dressing room and wet room)
* Large contemporary spa room
* Family bathroom
* Open plan living space incorporating sitting room/dining room/kitchen
* Playroom/cinema room
* Study
* Utility room
* Decked patio area and terraced gardens
* Off road parking
And then pay up your £25! At the time of writing this, 6844 people have bought tickets and the competition’s only been open a few days, so I wouldn’t leave it too long if you’re interested! The deadline is 31st December 2008 and the draw will be made on New Year’s Day 2009 (if 46,000 tickets have been sold – if not, they will either extend the deadline by 3 months or the winner will receive all the money pooled to date, which right now stands at over £150k – not too shoddy!).
If you missed Grand Designs Live in London earlier in the year, do not despair! It’s back, but this time at the NEC in Birmingham, from 10-12 October 2008. The show is open from 10am until 6pm each day, and tickets are £13 in advance, £18 on the door.
Each day there will be five seminars, from Grand Designers: Living the Dream, where people featured on Grand Designs talk about their experience, to Perfect Financial and Project Planning, which does what it says on the tin. There will also be a variety of green seminars about how to make sure your build is environmentally friendly, tips on energy efficiency and designing a green interior.
If it’s anything like the London show was, are will be more exhibitors than you can shake a stick at. I had several days to wander round and see what tickled my fancy, but if you’re only there for a day it helps to be focused on what it is you need to see.
Sadly, I shan’t be going as I’m way too busy at the moment, but if you have even just a passing interest in self-build, DIY, or renovation, it will be well worth a look!
How many empty homes do you think there are in the UK? Given the Government’s constant concern about the lack of homes, the ten-year waiting lists for council housing, the ambitious target of 240,000 new houses to be built each year, you’d think there couldn’t possibly be that many empty homes lying about unwanted, wouldn’t you? I mean, if we’re that short of houses, only an idiot would let a house go begging, right?
I was astonished to learn from last night’s Cheap Homes for Sale?(BBC3, 9pm) that there are 830,000 empty properties in the UK, and most of them are owned not by private landlords, but by councils and the Government. By the end of the programme, I could feel my activist gene itching again. The UK’s housing is in a parlous state, but central and local government seem to be totally out of touch with reality.
Cheap Homes for Sale? started off quite predictably, with presenter Alex Riley searching for a property in London under £200,000 and discovering that pretty much all he can afford is a closet – literally. He visits the smallest flat in London, which is actually a tiny bedsit, smaller than 3m x 2m and on the market for £180,000. He goes on to talk about how estate agents such as Foxtons will go all out to sell houses, pressuring people to buy houses they can’t afford so that they can get their commission.
He also visits The Home Buyer Show at ExCeL, which turns out not to be for home buyers at all but for property developers and investors. Indeed, the people he speaks to there laugh at him when he says that all he wants is to buy a home. They’re not there for homes, they’re after investments and the credit crunch is providing them with plenty of opportunities to “cash in on other people’s misfortune” as the number of repossessions increases.
But it’s not until Riley starts talking about empty houses that the programme really starts to shock. He goes up to the North Circular, where over a stretch of about a mile there are dozens of empty houses, all bricked up. Apparently, hundreds of houses were bought up by Transport for London and were emptied because they were going to be demolished to make way for a road widening scheme. That scheme’s been trashed now, but the houses still sit empty.
Riley talks to David Ireland, whom I presume is the same David Ireland of Empty Homes, a charity campaigning to “highlight the waste of empty property in England and works with others to devise and promote solutions to bring empty property back into use.”
Ireland gives the figure of 830,000 empty homes, which would be enough property to house the majority of people on council housing waiting lists. At this point, I’m starting to get quite angry.
Down in the SE London’s Ferrier Estate, owned by Greenwich Council, hundreds of flats have been lying empty for up to four years. Riley talks to some teenagers about the council’s plans for redevelopment:
“They said they were going to do it in the next five years,” says the hoodie-wearing teen, “but now they say it’s going to be another five years. It’s taking too long. There are homeless people living on the street when they could be in a nice warm house with TV, get comfortable, sleep somewhere in the warm. It seems it’s just going to waste at the end of the day.”
If a teen can understand why leaving these homes empty is wrong, then why can’t the council? Now in truth, some of these old developments really do need ripping down because the architecture is grossly anti-social, but the council have to either get on with it, or open up this housing for short-term lets whilst they get their act together.
In Oxford, there are more empty homes:
But it’s in Liverpool that things get really disgraceful. There are 15,000 empty properties in Liverpool and, in one area where Ringo Starr grew up, street after street of huge Victorian bay-window terraces lie bricked up and empty. Apparently this is due to the Government’s Pathfinder scheme. (Just take a look at the hideous housing in the background of the header photo on this page – I’d bet it’s of a far lower quality than the Victorian terraces due to be demolished.)
Pathfinder encourages local councils to find areas of ‘housing market failure’ that include high percentages of empty houses where no one wants to live. The councils then get billions of pounds to move remaining residents out, knock down the houses, and rebuild them in partnership with private developers.
These are likely to be the same developers, mind you, that have recently been accused by the Office of Fair Trading of rigging contracts: 112 construction companies “colluded among themselves while bidding for contracts, leading to customers, such as local authorities, having to pay too much… 40 firms had admitted price fixing, and 37 had asked for leniency.”
And we’re not talking small businesses ripping people off here, we’re talking “construction giants Balfour Beatty and Carillion“.
So let’s just get this straight. Liverpool council have been encouraging (and paying) people to leave perfectly sound dwellings and, instead of renovating them, they plan to knock them all down and pay over billions of pounds of taxpayers’ money to a corrupt construction industry cartel to build cheap, and probably inferior, housing which will likely be unaffordable to the very people that have been displaced?
The construction industry is already responsible for one third of the UK’s waste, and a hefty chunk of our CO2 emissions. Surely the most economically and environmentally responsible way to tackle regeneration is to renovate and refurbish houses for the people who already live in them? The houses are structurally sound, some with new roofs, so there’s just no real reason for them to be demolished.
Indeed, Riley talks to developers who’ve done exactly that – renovated old terraces and produced beautiful and desirable homes. Ones that I would love to live in! And these developers would be only too happy to buy up and renovate all the empty houses in the areas, in the process rejuvenating the area.
Personally, I think that these houses should be sold off, not en bloc to a handful of developers, but also to private individuals who want to renovate their own house. There’s a huge appetite for renovation amongst the self-build community, and given that the self-builders are greener and more environmentally responsible, it should be compulsory to provide opportunities for them in every big development.
This programme made me absolutely livid. It shows just how incompetent, corrupt and absurd our central and local government are. Indeed, I’m so cross about this that I’m going to write to my MP next week, and I suggest that you do too – particularly as Write To Them makes it so easy.
We the undersigned petition the Prime Minister to require every Local Authority to create a register of empty homes in their area, and following that to enact measures to bring some of them into occupancy thus saving some greenfield building. The Local Development Framework investigations currently being undergone, ignore the potential supply of empty homes of which there are estimated to be 870,000 in the UK (Empty Homes Agency). This is more than 4 year’s supply, according to Kate Barker’s Housing Review.
Submitted by Charles Bazlinton – Deadline to sign up by: 27 January 2009 – Signatures: 211
You should sign it too, and also blog about it, let people know that there’s action to be taken.
And if you’ve tried to climb onto the property ladder but found it just too expensive, then Norfolk & Holmes, the faux estate agent set up by Riley and BBC Scotland, want to hear from you:
We are looking to you, the audience, to email us your stories. *Please use the window on the right to send us emails including, wherever possible, the details as laid out below.*
We want to hear from you: (please be sure to clearly include your name and contact number)
1. Are you a first time buyer who has found it impossible to get on the housing ladder? Tell us your story. Where are you from? Why has it been so difficult? Who do you blame for your current situation? What kind of house are you looking for?
2. Are you a family / individual on a council house waiting list who has been waiting so long they have lost hope? Tell us your situation. Give us the whole story. Who is to blame? What should be done?
3. Seen any empty properties in your area? If it’s been empty for more then 6 months, take a photo and email it in, clearly marking the location/address. Do you know who owns them? (For empty property photos and reports please email nick.jordan@bbc.co.uk All other emails should be sent through the window on the right of this page)
Whenever possible (time and resources dependent) we will take your issues to the politicians and ask them what they are going to do about it.
Finally, Cheap Homes for Sale? is on again on BBC3 on August 26th at 1:10am, August 27th at 3:10am, and August 28th at 1:35am. Set the recorder – it’s worth it. Alternatively, you can watch it on BBC iPlayer for the next seven days.
When I was at Grand Designs Live, I was taken with the GLASSeco work surfaces installed in the Log House.
I was really impressed by the depth and luminosity of the material, specially when it was lit from underneath. Having finally had a chance to look into it a bit more, I’m even more impressed with its green credentials.
GLASSeco surfaces are made of 95% recycled materials, including local waste glass, which would otherwise have gone to landfill and which they source themselves from the hospitality trade. The glass is sorted by colour, cleaned, smashed into chips, and set in a solvent-free resin which is poured into a bespoke mould. They can include all sorts of other recycled materials in with the glass chips too, including crushed oyster, clam and other seashells, or aluminium filings.
GLASSeco is available in a number of colours – I particularly like the ones with big chunks of green glass in them – and matt or polished finish. It can be made into work tops, tiles, floors, steps, or stones; can be used inside or outside, or even in a wet room or shower; and can even be made into tables.
This video from GLASSeco explains more about the manufacturing process, and also explains about their factory’s green credentials:
Prices for a GLASSeco work surface start at £270 per linear meter, but each one is bespoke and unique.
This definitely goes on the list of things I’d rather like in my house!
In the closing hours of Grand Designs Live, I finally got a chance to get up close and personal to The House That Kevin Built. It was a lot of fun to get in there and have a look round, especially as I was one of the last allowed in, so I got the place to myself for a while, hence the huge number of photos.
Here you can see right up and under the cladding.
And the rain screen from the lower, unrendered parts of the ModCell storey.
By the end of Friday, the seventh day, the Kevin’s house was starting to look complete. The roof was waterproof and complete with skylights. Windows were in and glazed, and the cladding applied to the sides of the house.
The cladding panels for the upper half of the house were made on site by a computerised flatbed router. I suspect that they could be a fabulous habitat for bees, and possibly house martens too, as they provide a nice sheltered space under the slats for nest-building. I’m not sure that was the intention though…
How many camera folk does it take to do a practice run of a piece to camera? Six, it would seem. I love the camera on the enormous boom – that’s how they get those fabulous, swoopy shots.
By the end of the day, the scaffolding was down and the house was revealed in all it’s glory.
And from certain angles, you can start to get a feel for how this would look if it were in a residential setting, instead of on a patch of grass in between a massive exhibition hall and a hotel.
I was so excited that I happpened to be around for the topping out ceremony of The House That Kevin Built. Kevin McCloud explained to the assembled crowd that a ‘topping out’ ceremony is held when the highest point of a structure has been put up. The builders take up a leafy sprig of oak, or whatever wood has been used in construction, and nail it to the very apex of the structure.
In this case, they had a sheaf of thatch prepared so that it could stand up upon the top of the roof. Kevin joked that it was the responsibility of the youngest and handsomest of the builders to top out, but that that wasn’t him. Youngest, maybe not, but I’d argue about handsomest.
Of course, a libation has to be made which, along side the offering of the sheaf, is intended to thank the gods, goddesses and spirits of forest and field for giving up their bounty to allow the building of the house.
Bottles of champers were distributed amongst the build crew, liberally shaken and then opened.
Despite protestations from the producer that Health & Safety would have a fit if there was any drinking on-site, a toast is made, and the topping out ceremony is complete.
Throughout Grand Designs Live, Kevin McCloud and a team of builders, celebrities, and TV crew built a house in the Grand Village, with ModCell’s straw bales panels and vertical thatch on the ground floor, and the Facit building system used for the first floor and roof. Although I missed the very first stages of building, I kept as much of an eye on the house as possible.
The original brief was pretty simple:
To design and build a sustainable house, using traditional materials and techniques alongside cutting-edge 21st century technology which underpins [Kevin's] green principles.
When I arrived, on the morning of Day 4, the bottom storey, built by ModCell, was already complete and work had started on Facit’s half. The straw bales panels were all in place, but had not all been lime rendered. The glazing and window/door frames were also absent, but you could already get a sense of how the house was doing to look.
One panel was clad in vertical thatch. I heard that this was the first time that vertical thatch had ever been used in the UK, and whilst it looks kinda cool I have my doubts about it. Firstly, the individual stalks of thatch come out really easy, and are very tempting to pull at for the fidgety-fingered. This leads me to believe that the thatch would thin out very quickly, and the more thatch is pulled out, the less tightly packed the remaining straw or reed is, and the easier that comes out… Secondly, it would be a haven for small insects and spiders, which is fine on the outside, but less keen on that internally.
The other side of the house, showing rendered ModCell panels and one left open for later glazing.
The second storey, supplied by Facit goes up really quickly.
The Accoya wood doors and windows, from Westgate Joinery, go in. Accoya is basically softwood that has been treated with acetic anhydride at temperature and under pressure to give it the properties of hardwood. This means that it can be sustainably sourced, and the treatment makes it incredibly durable. I had a chat with a chap who was a real Accoya fan, and he told me that the manufacturer’s guarantee is 30 years, with the importer adding another 10 onto that – that’s showing a fair amount of confidence! This build was the first time he’d seen Accoya in the flesh, as it were, and he was getting really quite excited about it.
I have to say, the idea of a sustainable hardwood substitute really is quite exciting because it would reduce the need to cut down slow-growing hardwoods or use environmentally unkind treatments for softwoods, all of which is much better for the planet. Even the by-product of the hardening process is recyclable – it’s acetic acid, or as we usually call it, vinegar. Not that you’d want to put this vinegar on your chips…
The build progresses, and the roof goes on.
The holes at the top are for piping in insulation.
Work goes on inside, hidden away from nosey bloggers, sadly.
The Facit panels for the apex of the roof are so light that they could actually be carried by one person.
Kevin McCloud setting up for recording.
Kevin indulges in a bit of pole dancing.
Kevin does his piece to camera. I wasn’t close enough to be able to hear what he was saying, but I asked Finlay White from Modcell about the panel that he’s standing in front of, as I really couldn’t figure out what it was supposed to be. Apparently, it’s a silica aerogel window which soaks up solar heat during the day and releases it during the night. According to the Channel 4 site, this particular panel was of Cabot Nanogel.
Right at the end of Grand Designs Live, as the exhibition was shutting up shop, I finally got the chance to have a look around the House That Kevin Built (big post to come about that soon!). Whilst I was snapping photos, I got to talk to Finley White from ModCell, whose company put up the bottom half of the house.
The ModCell bits are the ground floor panels you can see either rendered or, on the left-hand wall, glazed to show the straw off. Glazing the panels is not normal practice, but it was nice to be able to see the straw inside in this instance. Essentially, these are wooden frames (sustainably sourced, of course) that have been filled with straw bales and then rendered with a lime render, making them super-insulating and vermin-proof. All this is done in a ‘flying factory’ near to the build site using local materials to reduce the amount of transportation required.
The panels can then be assembled very quickly and easily on-site and as they are already rendered, the structure can be made water-tight very easily. Finlay also explained to me that builders generally dislike having straw bales kicking about as they have to be kept bone dry throughout the build, have a tendency to shed straw which then gets everywhere, and are a bit of a pain in the neck. ModCell, on the other hand, deals with all the straw away from the build, keeping the site tidy. As all the rendering is done in the ‘factory’, you’re also less at the mercy of the weather – joy to any British self-builder’s ears.
I was really impressed with the idea, and it’s a real shame that I didn’t get to talk to ModCell earlier in the week as I would have loved to have done some video with them. They have lots more information on their website, including a load of photos from the Grand Designs build.
I’ve had a bit of an insanely stressful and busy week. A month or so ago I agreed to write an article for a magazine about social networking, having forgotten just how stressed I get when I have to write formal articles for people, and why it was that I gave up doing it for a living many years ago. Blogging is so much easier, more immediate, simpler. So I’m afraid I’ve had my nose in that all week, with little time for thinking about Kits and Mortar.
But whilst I was searching for something else in my personal blog’s archives yesterday, I came across an old post from 2005 talking about Grand Designs, and caravan holidays and self-building.
One of my favourite TV programmes is Grand Designs, a Channel Four production that follows people following their house-building dreams. Tonight, the programme followed a couple who had bought a derelict church in County Mayo, Ireland, and were restoring and converting it to a house. Amongst a slew of really crap house design shows, Grand Designs stands out as the one with serious taste and standards. No MDF. No lurid colours. No shock-value interiors. Just people trying their hardest to realise their dreams.
Watching tonight, I found myself filled with wonder at how beautiful the building was, how picture-perfect the scenery, and how fantastic it would be to wake up every day in a building with such soul. The photos can only give a glimpse of how beautiful it must actually be.
It’s funny how little has changed in the last three years, except, perhaps that I can now imagine myself building a house. Then, I couldn’t.
Follow Suw & Kevin Charman-Anderson as they learn about building an eco- and cat-friendly house. They have no land, and no budget, just a healthy obsession with building their own home.
If you want to send us an idea or link, you can find us on Twitter (just @kitsandmortar us).